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  <url>
    <loc>https://www.adriandevries.com/aboutadrian</loc>
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    <lastmod>2026-01-14</lastmod>
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  <url>
    <loc>https://www.adriandevries.com/contour/detour</loc>
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    <lastmod>2025-09-13</lastmod>
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      <image:title>Contour/Detour (2016)</image:title>
      <image:caption>Untitled (18-2), 2016, Coper, Ruber, Oil paint, Acrylic paint and Enamel paint on MDF, 995 x 870 mm. Photo Credit: Sarah Lay.</image:caption>
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    <image:image>
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      <image:title>Contour/Detour (2016)</image:title>
      <image:caption>Untitled (17-2), 2016, Oil, Acrylic and Enamel paint on MDF, 995 x 870 mm. Photo Credit: Sarah Lay.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Contour/Detour (2016)</image:title>
      <image:caption>Untitled (16-29), 2016, Oil paint, Acrylic paint and Enamel paint on MDF, 995 x 870 mm. Photo Credit: Sarah Lay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/60c5068b-3281-4068-86f7-960435cc4d4c/Contour%3ADetour-Installtion-First-Site-Gallery-%28RMIT%29.jpeg</image:loc>
      <image:title>Contour/Detour (2016)</image:title>
      <image:caption>(Left to Right) Installation view of Untitled (18-2), Untitled (17-2) &amp; Untitled (16-29), 2016, First Site Gallery, Naarm. Photo Credit: Sarah Lay.</image:caption>
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  <url>
    <loc>https://www.adriandevries.com/what-real-instruments-do-2020</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/f01dcc09-0f44-48db-a8e0-bbd58d788efa/Untitled-%28White%29-%282019%29.jpeg</image:loc>
      <image:title>What Real Instruments Do (2020)</image:title>
      <image:caption>Untitled (White), 2020, Acrylic on Plaster Bandage on Metal Mesh on Steel Pins, Dimensions Variable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/8a547edb-e38d-4394-b674-2c833d33c7ca/What-Real-Instruments-Do-%28Install%29-%282020%29.jpeg</image:loc>
      <image:title>What Real Instruments Do (2020)</image:title>
      <image:caption>(Left to Right) Installation view of Untitled (Black) &amp; Untitled (White), 2020, Five Walls Gallery, Naarm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/5b846a96-f113-4fa9-8416-3bb554c24864/Untitled-%28Black%29.jpg</image:loc>
      <image:title>What Real Instruments Do (2020)</image:title>
      <image:caption>Untitled (Black), 2020, Vinyl, Dimensions Variable.</image:caption>
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  <url>
    <loc>https://www.adriandevries.com/the-point-at-which-we-meet-2021</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/1359867c-61f1-436c-a174-dea0b0bb833d/Red%282%29%289thR%29.jpg</image:loc>
      <image:title>The Point at Which We Meet (2021)</image:title>
      <image:caption>Adrian De Vries &amp; Tinieka Page, Red (2) (9thR), 2020-21, Gouache, Tape, Pastel, Pencil and Acrylic Paint on Paper, 18 x 15cm.</image:caption>
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    <image:image>
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      <image:title>The Point at Which We Meet (2021)</image:title>
      <image:caption>Adrian De Vries &amp; Tinieka Page, Green (2) (9thR), 2020-21, Gouache, Collage, Pastel and Acrylic Paint on Paper, 18 x 15cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/fd8aac2a-1c67-401e-9c47-342fcf92b509/Brown%289thR%29.jpg</image:loc>
      <image:title>The Point at Which We Meet (2021)</image:title>
      <image:caption>Adrian De Vries &amp; Tinieka Page, Brown (9thR), 2020-21, Gouache, Collage, Watercolour and Acrylic Paint on Paper, 18 x 15cm.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Point at Which We Meet (2021)</image:title>
      <image:caption>Adrian De Vries &amp; Tinieka Page, Red (3) (9thR), 2020-21, Gouache and Watercolour on Paper, 18 x 15cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/d0c1d3fe-87bc-4817-bfb3-3137b9f43c2c/Black%289thR%29.jpg</image:loc>
      <image:title>The Point at Which We Meet (2021)</image:title>
      <image:caption>Adrian De Vries &amp; Tinieka Page, Black (9thR), 2020-21, Gouache, Charcoal, Ink, Collage and Acrylic Paint on Paper, 18 x 15cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/8655a423-5037-4d9c-a5d3-ad5efb4974a0/Purple%282%29%289thR%29.jpg</image:loc>
      <image:title>The Point at Which We Meet (2021)</image:title>
      <image:caption>Adrian De Vries &amp; Tinieka Page, Purple (2) (9thR), 2020-21, Gouache, Charcoal, Pastel and Acrylic Paint on Paper, 18 x 15cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/58cf5b5e-1a2d-47d4-856a-5cbc306bf3ba/Yellow%289thR%29.jpg</image:loc>
      <image:title>The Point at Which We Meet (2021)</image:title>
      <image:caption>Adrian De Vries &amp; Tinieka Page, Yellow (9thR), 2020-21, Gouache, Pastel, Charcoal, Ink and Acrylic Paint on Paper, 18 x 15cm.</image:caption>
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  <url>
    <loc>https://www.adriandevries.com/1000-tiny-wounds-2022</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/9bb991b3-c932-4e54-a603-3915f8dcd054/Installation-View-1%2C000-Tiny-Wounds.jpg</image:loc>
      <image:title>1,000 Tiny Wounds (2022)</image:title>
      <image:caption>Installation view of 1,000 Tiny Wounds, 2022, Rubicon ARI, Melbourne.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/8baeaaf2-be3c-4f27-aa64-cf03081cd097/Installation%282%29.jpg</image:loc>
      <image:title>1,000 Tiny Wounds (2022)</image:title>
      <image:caption>Installation view of 1,000 Tiny Wounds, 2022, Rubicon ARI, Melbourne.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/c2cbd2a2-3d66-4cac-82b3-fcb2022e5429/Installation%283%29.jpg</image:loc>
      <image:title>1,000 Tiny Wounds (2022)</image:title>
      <image:caption>Installation view of 1,000 Tiny Wounds, 2022, Rubicon ARI, Melbourne.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.adriandevries.com/system-blower-2022</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/8fd18afc-0fd9-4b3c-8c5d-d718d7e595a7/Installation-View-Runner.jpg</image:loc>
      <image:title>System Blower (2022)</image:title>
      <image:caption>Installation view of Runner, 2022, Milk, Naarm. Photo Credit: Sebastian Kainey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/9a9fd57f-62d6-448f-9f46-3cd6eaeaf844/System-Blower_2022_Documentation_PhotoSebastianKainey-38.jpg</image:loc>
      <image:title>System Blower (2022)</image:title>
      <image:caption>(Left to Right) Installation view of Runner &amp; Dauber (Aaron C. Carter), 2022, Milk, Naarm. Photo Credit: Sebastian Kainey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/311d804a-5d1b-4ae1-8e6c-e7db3231f595/System-Blower_2022_Documentation_PhotoSebastianKainey-48.jpg</image:loc>
      <image:title>System Blower (2022)</image:title>
      <image:caption>Detail of Runner, 2022, Milk, Naarm. Photo Credit: Sebastian Kainey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/6810e200-ba37-4f35-8900-8c339436ba30/System-Blower_2022_Documentation_PhotoSebastianKainey-58.jpg</image:loc>
      <image:title>System Blower (2022)</image:title>
      <image:caption>Detailed of Runner, 2022, Milk, Naarm. Photo Credit: Sebastian Kainey.</image:caption>
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  </url>
  <url>
    <loc>https://www.adriandevries.com/site-lines-2023</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/f89b33ce-5827-4989-b277-d42881766081/IMG_1298+copy.jpg</image:loc>
      <image:title>Site Lines (2023)</image:title>
      <image:caption>Installation view of Site Lines, 2023, The Wandering Room, Melbourne. Photo Credit: David Creed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/f9210a33-707b-4c45-a979-dceee17ea9c0/IMG_1326+copy.jpg</image:loc>
      <image:title>Site Lines (2023)</image:title>
      <image:caption>Leon Van De Graaff, Wing Commander, dimensions Variable. Photo Credit: David Creed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/f220e65d-276a-43a9-880c-a2d3fbfd3cd2/IMG_1449+copy.jpg</image:loc>
      <image:title>Site Lines (2023)</image:title>
      <image:caption>Sunny’s Side, Acrylic on paper, 21 x 30cm. Photo Credit: David Creed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/4eed8f47-fe25-4f3b-86a0-757dd12e9eee/IMG_1424+copy.jpg</image:loc>
      <image:title>Site Lines (2023)</image:title>
      <image:caption>Installation view of Site Lines, 2023, The Wandering Room, Melbourne. Photo Credit: David Creed.</image:caption>
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  </url>
  <url>
    <loc>https://www.adriandevries.com/handbrake-2022</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/4c313b0c-4e5d-474e-ba93-1853e9a9d249/Installation-view-Handbrake%21+%282%29.jpg</image:loc>
      <image:title>Handbrake! (2022)</image:title>
      <image:caption>Installation view of Handbrake!, 2022, Brunswick Temporary, Melbourne.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/274f3419-ff3a-49aa-bbf3-2fa1670f995d/DSC01240.jpg</image:loc>
      <image:title>Handbrake! (2022)</image:title>
      <image:caption>(Left to Right) Installation view of Handbrake &amp; After Fugazi, 2022, Brunswick Temporary, Naarm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/a157c1f4-554a-4eb7-997e-4d3d149f6750/Coda-%26-Double-Tap+Edit%28install%29.jpg</image:loc>
      <image:title>Handbrake! (2022)</image:title>
      <image:caption>(Left to Right) Installation view of Double Tap &amp; Coda, 2022, Brunswick Temporary, Naarm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/93e386a1-e80d-45aa-9672-90030a570e43/JAG1.jpg</image:loc>
      <image:title>Handbrake! (2022)</image:title>
      <image:caption>Jag, 2022, Acrylic, Canvas on Canvas, 185 x 145cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/c4c4d96f-0e00-4313-b107-3bc469d7adf1/Installation-view-Handbrake%21.jpg</image:loc>
      <image:title>Handbrake! (2022)</image:title>
      <image:caption>(Left to Right) Installation view of Jag, Handbrake &amp; After Fugazi, 2022, Brunswick Temporary, Naarm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/a9fdf79b-05a1-44e1-8f5e-4f4015bd5242/DSC01275.jpg</image:loc>
      <image:title>Handbrake! (2022)</image:title>
      <image:caption>(Left to Right) Installation view of With My Best (Returning Defeatist), Double Tap &amp; Coda, 2022, Brunswick Temporary, Naarm.</image:caption>
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  <url>
    <loc>https://www.adriandevries.com/before-the-citys-hum-2024</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/aab78798-9317-4baf-9d3e-b19e2ae97b66/The_Butterfly_Net_Framed.jpg</image:loc>
      <image:title>Before the City’s Hum (2024)</image:title>
      <image:caption>The Butterfly Net, Acrylic, Charcoal and Flashe on Jute, 810 x 820mm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/51a92898-192d-4197-aa9c-6a6500178e58/Install%281%29.jpg</image:loc>
      <image:title>Before the City’s Hum (2024)</image:title>
      <image:caption>Installation view of Before the City's Hum, 2024, Visual Diary, Melbourne.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/96b60870-9b40-4b50-b634-97cf1028c594/Install%282%29.jpg</image:loc>
      <image:title>Before the City’s Hum (2024)</image:title>
      <image:caption>Installation view of Before the City's Hum, 2024, Visual Diary, Melbourne.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/7eee08e8-8315-49e6-a023-c19d82212290/Install%283%29.jpg</image:loc>
      <image:title>Before the City’s Hum (2024)</image:title>
      <image:caption>Installation view of Before the City's Hum, 2024, Visual Diary, Melbourne.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.adriandevries.com/no-destruction-2024</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/c07189ee-eff8-4ef6-9990-1c818f291f05/No_Destruction%21_Install%283%29.jpg</image:loc>
      <image:title>No Destruction! (2024)</image:title>
      <image:caption>Installation view of No Destruction!, 2024, Green Floor Gallery, Melbourne. Photo Credit: Nicholas Mahady</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/8bc860da-e216-456b-bbb0-5a7a5d6c3f92/Never_Lucky.jpg</image:loc>
      <image:title>No Destruction! (2024)</image:title>
      <image:caption>Never Lucky, Acrylic, Charcoal, Flashe and Pastel on Jute, 810 x 820mm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/a7052468-873c-473d-903b-086cd0ba38de/No_Destruction%21_Install%281%29.jpg</image:loc>
      <image:title>No Destruction! (2024)</image:title>
      <image:caption>Installation view of No Destruction!, 2024, Green Floor Gallery, Melbourne. Photo Credit: Nicholas Mahady</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/d2f981ed-a36d-4f66-a50b-dd7bee362abb/Boozehound%21.jpg</image:loc>
      <image:title>No Destruction! (2024)</image:title>
      <image:caption>Boozehound! , Acrylic, Charcoal, Flashe and Pastel on Jute, 810 x 820mm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/9cec1e94-3338-4fbc-8d5a-de5fb178789f/No_Destruction%21_Install%282%29.jpg</image:loc>
      <image:title>No Destruction! (2024)</image:title>
      <image:caption>Installation view of No Destruction!, 2024, Green Floor Gallery, Melbourne. Photo Credit: Nicholas Mahady</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/7196f929-4bea-4ba0-abf2-1da0c7c8f50e/A_New_Pollution.jpg</image:loc>
      <image:title>No Destruction! (2024)</image:title>
      <image:caption>A New Pollution, Acrylic, Charcoal, Flashe and Pastel on Jute, 810 x 820mm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/7cba2285-db6c-4d12-91c2-3ab57164ddef/No_Destruction%21_Install%284%29.jpg</image:loc>
      <image:title>No Destruction! (2024)</image:title>
      <image:caption>Installation view of No Destruction!, 2024, Green Floor Gallery, Melbourne. Photo Credit: Nicholas Mahady</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/1a94207b-ecfd-4feb-970e-389616a576a7/No_Destruction%21_Install%285%29.jpg</image:loc>
      <image:title>No Destruction! (2024)</image:title>
      <image:caption>Installation view of No Destruction!, 2024, Green Floor Gallery, Melbourne. Photo Credit: Nicholas Mahady</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.adriandevries.com/a-full-world-2025</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-11-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/f19f6ff2-c5ae-4e59-8580-ecb8d41cf917/TCB_A+Full+World-1+copy.jpg</image:loc>
      <image:title>A Full World (2025)</image:title>
      <image:caption>Bathing in Civilisation, 2025, Acrylic, flashe &amp; ink on paper, 21 x 30cm Photo Credit: Camille Chapman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/319867f5-fcfb-4fdb-9b82-df64ca905631/TCB_A+Full+World-23.jpg</image:loc>
      <image:title>A Full World (2025)</image:title>
      <image:caption>Installation view of A Full World, 2025, TCB Gallery, Melbourne. Photo Credit: Camille Chapman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/1fa98a74-5a16-4638-8d63-9948f5dc94f9/TCB_A+Full+World-2.jpg</image:loc>
      <image:title>A Full World (2025)</image:title>
      <image:caption>A Future Past, 2025, Acrylic on paper, 21 x 30cm Photo Credit: Camille Chapman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/1d1973d0-7ea3-46c2-a014-04f36a0be706/TCB_A+Full+World-3.jpg</image:loc>
      <image:title>A Full World (2025)</image:title>
      <image:caption>Chewing Gum Backwards, 2025, Acrylic &amp; ink on paper, 21 x 30cm Photo Credit: Camille Chapman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/695d7046-5ec3-467b-9545-b3d5de0c3d45/TCB_A+Full+World-33.jpg</image:loc>
      <image:title>A Full World (2025)</image:title>
      <image:caption>Installation view of A Full World, 2025, TCB Gallery, Melbourne. Photo Credit: Camille Chapman</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.adriandevries.com/to-clear-a-path-forward-2025</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/d4ff6e7c-dc48-41e9-a75e-ddd6d560a58b/To_Clear_A_Path_Forward_1.jpg</image:loc>
      <image:title>To Clear A Path Forward (2025)</image:title>
      <image:caption>Installation view of To Clear A Path Forward, 2025, Caves, Melbourne. Photo Credit: Camille Chapman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/40ebd790-cd2b-41e9-aa5e-c236a521be4a/To_Clear_A_Path_Forward_2.jpg</image:loc>
      <image:title>To Clear A Path Forward (2025)</image:title>
      <image:caption>Installation view of To Clear A Path Forward, 2025, Caves, Melbourne. Photo Credit: Camille Chapman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/318c9bd8-bafa-4273-877c-b9d377eb9b13/Treading_Water_s1E.jpg</image:loc>
      <image:title>To Clear A Path Forward (2025)</image:title>
      <image:caption>Treading Water, 2025, Acrylic and Flashe on Jute, 1219 x 1676mm. Photo Credit: Camille Chapman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/83e75200-bcdc-4b7f-8b01-0580fc0c5609/To_Clear_A_Path_Forward_3.jpg</image:loc>
      <image:title>To Clear A Path Forward (2025)</image:title>
      <image:caption>Installation view of To Clear A Path Forward, 2025, Caves, Melbourne. Photo Credit: Camille Chapman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/f29e075f-8f04-4f71-978c-1036039f07b7/Full_Throttle_s1E.jpg</image:loc>
      <image:title>To Clear A Path Forward (2025)</image:title>
      <image:caption>Full Throttle, 2025, Acrylic and Flashe on Jute, 1219 x 1676mm. Photo Credit: Camille Chapman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/3603590b-e4f7-4385-a28d-280856d1a322/Puff_%26_Drag_s1E.jpg</image:loc>
      <image:title>To Clear A Path Forward (2025)</image:title>
      <image:caption>Puff &amp; Drag, 2025, Acrylic and Flashe on Jute, 1219 x 1676mm. Photo Credit: Camille Chapman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/797c41c9-8c8d-4b6b-824f-92dccb7bca4c/To_Clear_A_Path_Forward_7.jpg</image:loc>
      <image:title>To Clear A Path Forward (2025)</image:title>
      <image:caption>Installation view of To Clear A Path Forward, 2025, Caves, Melbourne. Photo Credit: Camille Chapman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/b592e247-670d-4252-b857-a55a9477cdab/Image_2.jpg</image:loc>
      <image:title>To Clear A Path Forward (2025)</image:title>
      <image:caption>Timeout!, 2025, Acrylic and Ink on Paper, 21 x 30cm. Photo Credit: Camille Chapman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/468f2ada-60bd-4f6c-8711-4e11827e22a0/To_Clear_A_Path_Forward_5.jpg</image:loc>
      <image:title>To Clear A Path Forward (2025)</image:title>
      <image:caption>Installation view of To Clear A Path Forward, 2025, Caves, Melbourne. Photo Credit: Camille Chapman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/64c4659d365bc909b0e93557/9ebf5837-7d79-459b-9164-03d7e4f54cc5/To_Clear_A_Path_Forward_6.jpg</image:loc>
      <image:title>To Clear A Path Forward (2025)</image:title>
      <image:caption>Installation view of To Clear A Path Forward, 2025, Caves, Melbourne. Photo Credit: Camille Chapman</image:caption>
    </image:image>
  </url>
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